PowerDirector is otherwise well equipped for multitrack editing, with its sophisticated animation tools and superb preview performance, so it’s disappointing that this basic flaw is still unresolved. Movements to the left – once again – risk losing synchronisation across multiple timeline tracks. Rather than a global control, the user is confronted with a verbose list of options after each timeline edit, but only when moving a clip to the right or adjusting its right edge. ![]() The ripple-editing options introduced in version 11 remain a mess. It’s this lack of attention to detail and joined-up thinking that takes the shine off an otherwise impressive package, and it isn’t the only example. It’s easier to reopen the MultiCam Designer again, but doing so discards changes made on the timeline, including any effects that were applied previously. In fact, it was virtually impossible to make any kind of timeline adjustments to material created in the MultiCam Designer without losing audio sync, which makes us wonder why CyberLink allows it at all. However, this was only offered when we moved a clip, and not when we extended its length, so this also resulted in lost audio sync. ![]() ![]() This meant audio sync was lost from that point onwards.Īnother new feature in version 12 is an option to create a crossfade transition by overlapping two clips on the timeline. Applying a transition from the library automatically overlapped the two clips, but it did so by moving rather than extending the second clip. Also, we found applying transitions to multi-camera material impossible.
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